“What struck me about the first part,” says Levick, “was that it was about these vulnerable men, and the second is about strong women. In the first play, the men were led to their death, and were effectively shot after being led astray by the government. In part two, we
“A century ago, on a wet December evening in 1917, as the incessant slaughter and grinding hardships of the First World War were extracting an ever greater toll from the working-class families of Glasgow, groups of protesting women marched from Govan and Bridgeton, from Partick and Maryhill, carrying placards and
Our Producer Rebecca visited Glasgow Women’s Library last weekend to hear more about the characters in The 306:Day, their stories and the context for the experiences of women in WW1 from a panel including by feminist, historian and writer Dr Lesley Orr, the play’s writer Oliver Emanuel and composer Gareth Williams.
The work of
Here are some lovely rehearsal shots from Beth Chalmers, capturing The 306: Day cast and Jemima in action at National Theatre Scotland’s fabulous rehearsal space in Rockvilla.
The 306: Day, the second part in Oliver Emanuel and Gareth William’s powerful new First World War trilogy exploring how the war affected women, families, and communities on the home front. A world premiere. Presented by National Theatre of Scotland, Perth Theatre and Stellar Quines, and directed by Jemima Levick.
We are excited to announce that Stellar Quines will be working with National Theatre of Scotland on two World Premiere productions in their 2017 Season. Jemima Levick will direct both The 306: Day by Oliver Emanuel and Gareth Williams and The Last Queen of Scotland by Jaimini Jethwa.
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