Week two is over and we are hurtling towards technical rehearsals. After a week of staggering through – stopping to work into scenes, adding detail and interrogating the intentions of the characters – we are now confident of an overarching narrative of the piece.
1st August almost 200 years ago, our characters were in sight of Quebec. Although they still had a long way to travel on both boat and foot, they could begin to imagine themselves arriving at their final destination. How apt that this should also be the last leg of our rehearsals.
Last week of full rehearsals: a week for focus. Focus on our journeys, focus on our clarity of intention, where our focus lies as storyteller. The elements on the piece begin to bleed together. Linda McLean works away developing the text and Pippa Murphy’s stunning sound instantly transports us back to the Scottish Borders of the 1800’s before pulling us into the new land of Canada. We fitted the costumes designed by the brilliant Claire Halleran, utilising the organic textures of 19th century Scotland. We think about how we might use these as an extension of the performers, as indicators of which character our storyteller is taking on.
Using the ingredients given to us by Movement Director Janice Parker, we played with developing images that heighten our storytelling. We split rehearsals in order to maximise time. We work each scene listening to the comments of each individual, every person’s voice equal to each other. In the same nature we share our story with the audience, we all work together as an ensemble.
This is an unusual rehearsal process for me to experience. As a festival production, although we do not open until the 13 August, we must also work to the same timeline as the other performers in our venue (artSpace @ St Mark’s Church). Therefore, we prepare for a slight cart-before-horse experience. We will finish our technical rehearsals then return to the rehearsal room for five days prior to dress rehearsals and previews. We spend time reminding ourselves to have confidence in our progress.
We had a lovely visit from the Edinburgh Book Festival Artistic Director, Nick Barley, who joined us and offered both encouraging and insightful feedback. He also delivered to us the special edition of the book – Alice Munro The View from Castle Rock the ‘Two stories that inspired the stage production’.
Then, when Friday fell, excitement took a hold of us as we realise that the tickets on the Book Festival website have virtually sold out!
At time of writing there are still a few tickets remaining for August 29th at www.edbookfest.co.uk
Don’t panic! There are still tickets available from the Edinburgh Fringe Box Office:
There is also opportunity to join us in the Borders, from where our story originates:
Kirkhope Parish Hall: 2 September – call 01750 52257 to book
Image: Lewis Howden, Sally Reid & Nicola Jo Cully in rehearsal